Rearranged my workspace this weekend & I think I might have finally found a configuration where my cats find next to the desk more appealing than ON the desk (and all my frames and computer and in my cup of coffee)…drawing with cats–the struggle is real.
Lately I’ve been busy thesising–more sketching posts later! :) (Why does 9:30pm on a Sunday always feel SO late!)
When I was in middle school my favorite saying was ‘I only run when chased’–I tried this excuse for my pitiful mile time in PE as well as that time I joined track because running was the lesser evil to waiting after school for my sister who ‘thought track might be fun.’ I am probably the last person you’d ever expect to want to read a blog about ultra-running. And I admit that when I first came upon them in a long search to find blogs about doin’ healthy stuff (my desk-life is killing me!) I thought it was completely and utterly INSANE–now, even though you’ll never see me in one, I think I understand their appeal and why I’m oddly drawn to reading about them from the comfort of my desk-life–its not killing me enough to make me want to run an ultra, thanks.
An ultra marathon is anything upwards of 100km in a single race–its marathons that often span more than one full day with these crazy runners running long into the night with headlamps fueled by bananas and coffee and this stuff called GOO which no one really knows what it is but athletes pretend its food. Sound crazy? Yup that’s pretty crazy–but then I’m sure if I explained my life to an ultra runner they’d think I was nuts too. I spend my evenings and weekends after a full day of work drawing hundreds of drawings of the same character, redrawing them, showing them to people so they can tell me everything that’s wrong with my hundreds of drawings and hours of work and then redrawing it all, and then redrawing it all at least a few more times before REDRAWING IT again but this time for PERFECTION in the evil process which is clean up animation where art has right and wrong answers and most of the time I’m doing it wrong. Then I start the whole process over again for another scene just to create 2 minutes of film–sound crazy? It probably is–but I love it, I could spend 12 hours in the lab and not even notice time has passed, I wish daily I could spend more days locked up in the animation lab for 12 hours just to complete my couple of minutes and I couldn’t imagine doing anything else with my life.
So other than having ‘normal’ people think this is crazy how the heck is animation related to ULTRA RUNNING?? Well, its the coffee and bananas. This is a whole post about bananas.You’re welcome.
Both Ultra running and animation require a unique kind of mental stamina and will power to keep doing this crazy thing day in and day out (…or all night). In ultra running, as UltraRunnerGirl’s blog beautifully explains is 90-100% mental–its not about being a terribly good or fast runner, its about staying in the game till the end, who can outlast the mental and physical exhaustion to accomplish a crazy near impossible feat. Its about your brain telling your body to keep going even when all logic and common sense say otherwise–when you’re tired and you’re toes are purple and everything sucks because YOU’VE BEEN RUNNING FOR 24 HOURS STRAIGHT! Animation (especially grad school) is equally about finding a way to work through your mental and physical exhaustion. Its about finding the motivation within yourself after a full day of work to pull out your frames and tackle the problems, to face poor, painfully honest critiques and keep working. Its about reaching the point of frustration where you’re ready to throw in the towel and question why you even wanted this degree/this life and sitting back down at your desk anyway to restart that scene for the millionth time. Its accepting a lifetime of rejection in a competitive field where you’ll constantly be asked to find that mental strength to keep going anyway.
Often when I tell someone I’m studying animation who isn’t involved in the art field, they tell me a story about how they knew a child, friend, cousin, etc. who tried that but you have to be in the top or you’ll never get anywhere–thanks–how uplifting. Realistically–yes–you must be good but that statement seems to imply that these people in the ‘top’ just woke up one morning and could animate like the pros, that the reason their child, friend, cousin, dog couldn’t make it in the animation industry was because they just didn’t have the skills–Damn those genetics! Whatcha gonna do–NOT TRUE. These people in the top they had the mental perseverance to keep going in the face of rejection, long hours, and exhaustion–yes they had above average skill but that alone wont land you a job in the industry–or at least it wont keep you there.
And so that’s why I read blogs from ultra-runners–they get it, I think they’re kinda crazy, but they get it. And in a world where most of my peers have settled into full time jobs and go to bed at 10pm–I need to read about SOMEONE that doesn’t tell me ‘I NEEEED 8 hours of sleep’ or ‘I’d go to school, but I can’t do those hours’–Weeks like this week when I’m crazy busy but starting to see progress–FINALLY–I’m tired–SOOO tired but I wouldn’t trade it, I love animation and illustration–I’ll sleep when I’m dead (actual advice from my actual art teacher at UCD).
My train is runinng a bit slow this morning so I thought I’d share some of the things i’m learning about creating animation with you this morning–also if I don’t do anything I’ll fall asleep–fun fact about grad school + working it means some pretty late nights & early mornings–last night was no exception, now if I could only get the internet to work in Amtrak–we’d be in business–but no such luck–so far. Anyway–animation–
Correct your keys and breakdowns BEFORE moving ahead to in betweens.
Okay this sounds like it should be a no-brainer for anyone doing animation but in my last scene I second guessed myself and thought I couldn’t tell if the animation ‘worked’ without the in betweens. I moved ahead too early and am paying the price– a painstakingly slow redo of work I ‘completed’ over the last couple of weeks.
When I’m first coming up with acting for a scene my mind is everywhere and I try several different variations to of the same action–and then inevitable choose some strange combination of everything I’ve tried. No No No! Good animation is simple and relies on motivation driven ACTING to point A to point B not the strangest most complicated action imaginable. I need to first get into who my character is and why they are doing what they are doing (motivation!) and cut out the rest of the fluff. Surprisingly I think the acting/posing/expression stuff might be one of my strengths but I tend to second guess my choices–stop that!–and come out with something strange.
Good morning, its about 6:30 am and I’m already on my second cup of coffee–it seems like its going to be a million cup of coffee kind of day! If you’ve been following this blog for a while now you might have noticed that its gone dormant in the last few months –years– I’m sorry, that wasn’t my intent but I was transitioning from a post-undergrad struggling to find a way to make a living in art into a graduate student attempting to pursue a rigorous animation program, work full time and maintain my sanity–the jury is still out on whether or not that’s been a success.
I’m in my last year of graduate school (hopefully) and trying my best to learn, understand and practice animation. I’ve come a long way over the last five years (I’m part time) but as is the purpose of graduate school–I never feel like I’ve come quite far enough, given quite enough time or quite grasped the concepts. This blog is going to serve going forward a place to collect my thoughts on animation process, practice and films in general as well as a look into the life of a working grad student–a reality that is becoming so much more commonplace as schools develop programs that make doing both easier but ‘real life’ never seems to want to cooperate.
In addition to needing a place to put my animation thoughts I was also inspired by a fellow artist/designer looking to find her place in the art world–Anne— I love reading her blog and seeing how she navigates her transition into designer. Also the lettering is beautiful and something I’d aspire to if I had that kind of patience.
Hi blog followers! I’m having a show this weekend at the Red Dot Gallery in Sacramento! Please stop by and say hello at the reception fro 5-9pm tomorrow or check it out all month long! The gallery is located on 2231 J Street in Sacramento! Hope to see you there!
I finally finished my semester! It was an extremely difficult semester full of sleep deprivation and animation but its over!! I am back at work in my studio after only a couple of days break because I have a show at the Red Dot Gallery in Sacramento on February 9th and I’d like to show some new work–here’s a sneak peak at what I’ve been doing–more sketches to come soon!
gettin’ ready to paint
Pencil Line Drawing
I’m trying to develop a process for painting and on work on these few in the same way for each one–What I’ve been doing is drawing a very detailed image, tracing the image on to vellum with a pen and doing an image transfer to get it to the canvass–I want my new paintings to have more volume and shape so I’m working for create a strong under painting in sepia before doing the details–hopefully it all pays off!
I’m making an effort in the next few weeks to re-do my portfolio to display the right stuff in a professional way. Lately I’ve been feeling like I haven’t been doing anything–apparently that’s not true–look at all these sketchbooks!
These are all pretty much full–give or take a page (I find it really hard to draw on the last page of a sketchbook–not sure why)–now back to work!